29 Apr 2026

In an industry constantly chasing new sounds and fleeting trends, some artists choose to build legacies instead. For Evans Modubule, better known as Mr Tagg, the creation and revival of Anuli is not just a musical project, but a statement of endurance, identity and cultural pride.

Founded in 2010, Anuli is an Afro-pop group born out of Mr Tagg’s deep roots in Botswana’s music evolution. 

A pioneer in contemporary local sound, Mr Tagg made his mark producing for some of the biggest Afro-pop and kwaito acts of the late 1990s and early 2000s, including Unik Attractions, Dvyne, Thulie and the late kwaito icon Mapetla. His production touch also shaped works by Ashley Gops, cementing his place among the country’s influential music architects.

At a time when many believed his chapter in the industry had closed, Mr Tagg chose reinvention over retreat.

Originally formed in South Africa alongside Nkosi and Mbaki Dumako, Anuli recorded an album that never saw the light of day, and the group eventually faded into silence. But in 2026, the vision was reignited this time, with a more intimate and intentional approach.

The reborn Anuli is now a family trio comprising Andrew ‘Semene’ Zachariah, his brother, David ‘Skitikiti’ Zachariah, and their niece, Mpho ‘Teemane’ Zachariah. All natives of Tlokweng, the trio blends generational talent with shared heritage, creating a sound anchored in chemistry and cultural authenticity.

“Anuli is a Swahili word meaning joy. That is exactly what we want our music to bring, upliftment and relatability,” explained Mr Tagg.

True to that vision, Anuli’s music remains grounded inAfro-pop, a genre that aligns seamlessly with Mr Tagg’s strengths as both producer and composer. 

Under Real Deal Records, in partnership with Puo Communications, he writes and produces all of the group’s material, ensuring a consistent and signature sound.

Their debut album, Radikoloto, is a 10-track offering that explores themes of love, resilience and social realities. Songs such as Nkosheng, Nthate Nna, Leave Me Alone, and Tlokweng weave together everyday experiences with melodic richness.

At its core, the album carries a strong social message advocating for healthy relationships and stable family structures in a time when many households face strain.

During a recent performance at Cresta Lodge’s Golden Nights event, Teemane spoke passionately about the inspiration behind the title track.

“Many homes today feel like places of conflict rather than comfort. Couples are struggling, relationships are under pressure, and peace is fading. Through our music, we want to encourage stability and love in families,” she shared.

The song Radikoloto also reflects the economic hardships faced by many, portraying the emotional toll of financial strain within relationships. Speaking on Duma FM’s Music Box Show, Teemane described the song as a message of hope.

“It is a reminder to support each other, even in difficult times. Things will get better, go tla siama,” she said, embodying the role of a supportive partner navigating hardship.

Beyond the music, Anuli’s performances are a visual celebration of African heritage. Their stage presence defined by vibrant traditional attire and energetic choreography draws inspiration from 1960s kwela culture, with dance moves that echo the golden era of township rhythms.

With Anuli, Mr Tagg does not chase modern trends. Instead, he refines a timeless Afro-pop sound; rich, organic, and deeply rooted in African identity.

Recent performances alongside established acts such as Alfredo Mos and Ephraim Maatla have signaled the group’s growing presence and potential longevity in the industry.

An admirer, Sir Tawana, praised Mr Tagg’s signature production style, noting the powerful backing vocals that define Anuli’s sound. Another fan, Mfundo Mpisana, described the music as beautiful, adding that its appeal transcends language barriers. Kagiso Morebodi, simply called it what many are beginning to believe: “Big songs.”

As Anuli continues to rise, one thing is clear this is more than a comeback. It is a carefully crafted revival, driven by experience, family bonds, and a commitment to storytelling through sound. ENDS